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Review �It�s easy now to take for granted�the trail [Dapper Dan] blazed.�. . . Detailed descriptions of his family�s tragic journey through poverty, the changing nature of his beloved and cursed neighborhood, and�his adventures as a hustler are riveting.��The New York Times�A dream maker from Harlem.��Nas �Truly a gift.��Taraji P. Henson, Emmy- and Oscar-nominated actress��A fantastic and cinematic writer.��Phoebe Robinson �Dapper Dan makes manifest through garments what Black flyness, Black intelligence, Black struggle, Black courage, Black hustle, Black progress, Black resistance and Black royalty looks like. Never did he rattle a beggar�s cup outside of a fashion industry designed to exclude him and all who looked like him. He took what he wanted from the establishment and built his own damn house. His life story is a wonderful tale of brilliance, hard work, perseverance, and hustle�America at its best.��Michaela Angela�Davis, writer and image activist �Dapper Dan is not just the epitome of style and grace, but an international treasure. He is a cultural icon who has pioneered his own path through the fashion industry, one that will influence generations to come.��La La Anthony �A grand raconteur.��Margo Jefferson, author of Negroland �A purveyor of the American Dream.��Elaine Welteroth�Dapper Dan is a living legend, a creative icon, and a godfather to the Black community. His inspirational story isn�t just about fashion. It�s about adventure, struggle, curiosity, hustle, love, and a singular determination to change one�s life.��Bethann Hardison, model and activist �Dapper Dan is the original influencer, disruptor, and creative�a true visionary who inspired inclusion for those who weren�t always invited to partake in fashion. His legacy will forever impact the intersection of style and culture, reminding us all to remain authentic and live unapologetically.��Ashley Graham, model and author of�A New Model�[The story of a] remarkable and unlikely evolution�. . . an intriguing and twisty tale about the hustle and the hustler, and it is eloquently and engagingly told . . . There is a profound vulnerability in Day�s story and a striking self-awareness as he recounts both his successes and failures as a man, father, son, brother, husband, and entrepreneur. In the end,�[this book]�is, like him, an inspiration.��The Root�It is part fashion story; part personal memoir; but also part business book extolling the virtues of creativity and hard work; part metaphysical and spiritual exploration; part history of Harlem, its Black community and diverse cultural mix, and fashion and hip-hop�s intersection; part meditation on identity and more. If that sounds like too much, it�s not. . . .�Dapper Dan contains multitudes, and so does his book. Pick it up to spend some time in the mind of�a truly creative and clever innovator.��Fashionista�A streetwise adventure�in�Super Fly�style.��New York�Daily News Read more About the Author Daniel �Dapper Dan� Day�s work has been displayed at the Smithsonian Institution, The Museum at FIT, the Metropolitan Museum of Art, the Museum of Modern Art, the Museum of the City of New York, and London�s Design Museum. His eponymous boutique was open from 1982 to 1992, and reopened in 2017 in a major partnership with Gucci. Read more Excerpt. � Reprinted by permission. All rights reserved. CHAPTER 1Nobody�s PoorI�m old enough to remember another Harlem. Before the heroin game overtook the numbers game, before crack overtook heroin, before a US president moved his offices uptown, and before white people started pushing strollers across 110th Street, I knew a Harlem where you didn�t have to lock your front door.I�m talking about a Harlem that was still in the midst of its Renaissance, a Harlem swinging to jazz and bebop, a Harlem beating with the warmth and life of gospel music by day and teeming��teeming!��with people and excitement and glamour by night. I�m talking about a Harlem where older women from the South with uncanny multitasking abilities sat outside on stoops or in windows high above the street sewing clothes, peeling vegetables, and spreading gossip, all while keeping watch over the neighborhood children, missing nothing. �Danny, go get your sister Dolores outta that street,� Miss Marguerite, a neighborhood woman who knew us all by name, would snap from her window lookout.A Harlem crowded with lounges, restaurants, music venues, ballrooms, and movie theaters. A Harlem where my friends and I would hold taxi doors for women in mink stoles and crouch at the feet of men in suits and bowlers, shining their patent-�leather shoes to a sparkle. Lexington Avenue had cobblestones, and every now and then you�d see a horse and wagon clopping up the street. A Harlem of life, lights, and all kinds of humanity. Black restaurants, Irish bars, Italian social clubs, Latin dance halls. That Harlem, the Harlem of the 1950s, was the first Harlem I knew, the Harlem I inherited, the Harlem I was born into. My mother, Lily Mae Day, didn�t trust doctors or hospitals, so she gave birth to me at home with my grandmother Ella getting off her sickbed to play midwife. I never met Grandma Ella cause she died only two days after I was born, so all I can do is imagine her holding me and wrapping me in a blanket: �It�s a boy, Lily Mae.��Another one?� I can hear my mother�s exhausted reply. �Lawd.�It was the summer of 1944, and I was my mother�s fourth boy in a row. It couldn�t have been easy. When I came out the womb, everyone marveled at the size of my head: �Wow, his head as big as Moon�s.� Moon was my older brother James, two years old at the time, nicknamed on account of the planetary size of his head. Mine was just as big, so they nicknamed me Little Moon and started calling James Big Moon.The official name they gave me was Daniel, but when my parents went downtown to file my birth certificate, some clerk screwed it up and put me down as �Danial.� It wasn�t just me, either. My mother gave birth to three more children, all girls, and we each had inaccurate information on our birth certificates. Wrong gender. Wrong surname. Misspelled mother�s maiden name. They were minor human errors in the grand scheme, but they symbolized a larger feeling of neglect. It was understood, literally from birth, that the system didn�t really care about keeping our information correctly, that it didn�t really care about us.Cause we were poor as hell. Poorest of Harlem�s poor. Dirt poor. We lived in East Harlem in a five-�story tenement building on Lexington Avenue and 129th Street. My parents had come to the city as part of the Great Migration, and they struggled and fought to survive in an overwhelming new urban reality. My father, Robert Day, worked three jobs, while my mother managed us seven kids, a thankless full-�time job. My parents and their generation were new to city life. They had come from tight-�knit rural communities in the South where everyone knew each other, and in the early days of black Harlem, they did their best to re-�create those communities.All the doors to the apartments in our building stayed open all day long. Aunt Mary, my mother�s first cousin, lived above us and could holler out her apartment to ask my mother to borrow sugar, and my mother could holler back a reply. We never needed house keys. The front door of our building was always kept propped open by a heavy rock, and our mutt and two cats just came and went as they pleased, in and out, just like us. Each block was its own microcosm of small-�town Southern life. Each neighborhood was associated with a particular region, so that you had the people who came from South Carolina living in one area, the ones from Virginia in another. I didn�t meet a black person whose family was from North Carolina until I visited Brooklyn, where a lot of them had settled. That�s how specific these neighborhoods were.And not only that, if you were from a particular town in the South, say Spartanburg, South Carolina, you often came to the city specifically to live on the Spartanburg block. Every bar and church and restaurant on that block would be full of folks from your little hometown. Folks knew each other from back home. And that generated respect and a sense of safety. People bonded over their shared histories, slang, and culture. But in the years to come, as these small neighborhood communities in Harlem were bulldozed and replaced by high-�rise project buildings, the city started grabbing people with no concern for where they�d come from, disconnecting folks from each other and their way of life. Neighbors didn�t know each other, didn�t share anything, didn�t feel a sense of respect or safety among each other. Doors started getting padlocked. You ask me, I think a lot of the bigger problems in Harlem today can be traced back to the destruction of those houses and that more connected way of life.Our building was in a neighborhood almost exclusively made up of folks who had come from South Carolina and Virginia, with maybe a sprinkling of folks from Georgia. We knew everyone in our building. It was a private tenement, real intimate, and my father worked as the superintendent. Nine of us Days lived crammed together in a small three-�bedroom apartment, sharing a single bathroom. There was a restaurant run by a Greek guy named Jimmy on the ground floor where my father also worked maintenance and where we�d often get free leftover soup for dinner.Every single morning, we�d wake up to gospel music coming from the radio, which was my mother�s doing. She was deeply religious and started the day with the sounds of Joe Bostic�s Gospel Train, the oldest and most famous gospel radio show in the country. Bostic, a pioneer in his own right, mainstreamed gospel music and introduced gospel legend Mahalia Jackson to the world in 1951. Of course, us kids didn�t think too highly of him. I can appreciate gospel music now, but back then we couldn�t stand it, especially the show�s repeated tagline, �The train is a-�coming!�In the kitchen, we�d pull a box of Corn Flakes out the cupboard and a bottle of milk out the icebox. Everybody had iceboxes back then, no fridges yet. You�d have to actually buy ice to fill the thing and keep the food cold. We bought our ice from Del Monte, an Italian who used to ride around the neighborhood in a blue truck, calling out from the street: �Ice for the icebox! Twenty-�five cents apiece!� For a quarter, he�d put a big block of ice in his bucket, lift it onto his shoulder, and carry it upstairs for you. We�d pull out the cold milk, then we�d smack the cereal box on its side two times��whack, whack��to make sure we got the roaches out before we started pouring it into our bowls. Then we�d eat our cereal.For our first years of school, my mother sent me and my older brothers, Carl, Cary, and James, to a Catholic school two blocks from our house, All Saints, on Madison Avenue between 129th and 130th Streets, which is still there. They had a little sunken play yard where they�d let us out during the day. The mothers used to come and throw pennies and nickels down, and the kids would take the change and line up to buy candy. Every morning, I�d always ask my mother, �Mom, could you please come and throw me a nickel during recess?�But she never came.When I got older, I was grateful to my mother for sending us to a good private school in the first place; I realized that she was far too busy at home with my younger sisters, Dolores, Deborah, and Doris, to come back to school to throw me a nickel. She woulda had to load up three kids in the middle of the day just so I could get a piece of candy. But at the time, it just made me so sad. Looking back, an experience like that probably made me a good hustler. On a subconscious level, I understood that if I wanted anything, I�d have to get it myself, cause ain�t nobody coming. Read more
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